"The geno-song is the volume of the speaking and singing voice, the space in which the significations germinate "from within the language and in its very materiality"; this is a signifying function alien to communication, to representation (of feelings), to expression; it is that culmination (or depth) of production where melody actually works on language–not what it says but the voluptuous pleasure of its signifier-sounds, of its letters: explores how language works and identifies itself with that labor. Geno-song is, in a very simple word which must be taken quite seriously: the diction of language" (Barthes, 270-271).
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